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Interview Q&A with Richard Wall

@writinblues

 

We offer our first and exclusive Q&A Interview with Richard Wall, a writer whose literary works have been featured on our Spillwords pages as well as being Author of the Month of November 2017.

 

  1. What does it mean to be selected as NovemberÔÇÖs Author of The Month?

It means a great deal to me. The quality of stories and poetry on Spillwords is among the highest I've seen anywhere. I was flabbergasted to see my own work on there, and being selected as Author of the Month of such an impressive site is a huge achievement. Do I get a badge?

  1. How have your hometown/family/friends influenced your writing?

They have all been a great influence. My first published short story, Evel Knievel and the Fat Elvis Diner is a stream of consciousness triggered by a partially downloaded email. The memories and thoughts voiced by the protagonist are based on my own experiences of growing up in a small market town in rural England in the 1970s. A few years ago, my wife colluded with our American friends to organise a surprise trip to Mississippi to follow the Blues Trail (a series of historic markers throughout Mississippi, commemorating the history of blues music in the region). A chance (and bizarre) encounter with a gentleman in a bar in Clarksdale, led to me write what was to become 'Fat Man Blues', my debut novel.

  1. Based on your bio, could you please tell us what's your "fascination with the dark underbelly of American culture" is?

I was born in the early 1960s, and so my cultural influences included watching American films and TV shows on our old black and white television. This grew into a borderline obsession with the USA, its landscape, cars, books and music. When I'm writing, my imagination leads me into bleak places, uncovering the dark secrets that exist beneath the masks of normality and respectability that everyone wears in their day to day lives. The common maxim for writers is to "write about what you know." That's what I know. Maybe I need professional help ­čÖé

  1. What was your writing catalyst?

I've always been interested in writing, but never really applied myself to it until I joined my local writing group, Malvern Writers' Circle, back in 2004. Here I met a friendly group of like-minded people offering encouragement and constructive critique, which has been invaluable. Through these meetings I began writing poetry (some of which was published) which I performed at a local poetry festival. After this came short stories, which led to my first novel, Fat Man Blues.

  1. Tell us a little bit about your writing process?

My process, such as it is, usually begins with an idea that might be triggered by a simple phrase, or thought. My novel Fat Man Blues came about when my friend said "That scene in the bar would make a great opening to a story." So, I wrote the scene, with no idea where it was going. Three years later I had a novel. I have a full-time day job as a Technical Writer, so any creative writing has to be fitted into spare time, and family commitments. I discovered early on that I'm not good at planning a story beforehand, I prefer to let it unfold as I'm writing, and let the characters lead the way.

  1. What would you say is most fulfilling about writing?

I enjoy the moments "in the zone" when all I'm thinking about is the movie that's taking place right in front of my eyes and watching the words appear on the screen as I try to describe what's happening. I think the most fulfilling thing for any writer is to hear a reader say that they loved your work, and then ask when the next story is due out.

  1. Does the addition of imagery help to tell your story?

I've never been one for writing long passages of scenic descriptions. Much of my work is driven by dialogue, and I tend to let the characters describe what's going on, hopefully giving the reader just enough information to let them create the imagery in their own mind. I liken it to listening to a play on the radio.

  1. What is your favorite reading genre?

I've been a voracious reader all my life, and will read a cereal packet if there's nothing else around. I prefer US-based crime thrillers by writers such as James Lee Burke, or Andrew Vachss. Lately I've been reading a lot of black poetry by Langston Hughes and black urban fiction as written by my good friend Ran Walker.

  1. What human being has inspired you the most?

That's a difficult question! Having walked the planet for over fifty summers I've encountered many people who have been equally inspirational to me for diverse reasons. Whilst researching the history of blues music for my novel Fat Man Blues, I read the stories of the early blues singers like Muddy Waters and Howling Wolf who fled the horrors of the Jim Crow South to pursue their dreams in Chicago. When Muddy Waters was first interviewed in 1940, he was a very young man, working on a farm in rural Mississippi and playing simple country-blues in his spare time. The story goes that when he first heard a recording of himself playing, it gave him the self-belief to pursue it, so he escaped to Chicago and the rest is history.

  1. What message would you have for the Spillwords Press community that voted for you?

The words 'Thank You' are not big enough to express my gratitude. I hope to post more of my writing onto Spillwords, and if it's accepted, I hope that people will continue to enjoy it.

  1. What would you like your legacy as a writer to be?

"He didn't take himself too seriously."

  1. Is there anything else you would like to add?

I would like to thank my friends and family and everyone else who has bought my books, or just said nice things. I couldn't have done any of this without the support of my wife, Barbara.

Richard Wall

Richard Wall

NOVEMBER 2017 AUTHOR OF THE MONTH at Spillwords.com
Born in England in 1962, Richard grew up in a small market town in rural Herefordshire before joining the Royal Navy. After 22 years in the submarine service and having travelled extensively, Richard now lives and writes in rural Worcestershire.

RichardÔÇÖs stories reflect his life-long fascination with the dark underbelly of American culture, be it tales of the Wild West, or of the simmering menace of the Deep South, or the poetry of Charles Bukowski, or the writing of Langston Hughes, or the music of Charley Patton, Son House, Johnny Cash, or Tom Waits.
Richard Wall

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