After Rexroth
written by: Kahlil Crawford
“…the weapon of a purely lyrical art.”
Parker, Gillespie, Davis, Monk, Roach absorb ornamentation (and) basic structuralism – integral part(s) developing melodic lines with Carter & Hodges…
true rhythmic patterns beat → shifting continuously continuously springing pattern(s)…
longform pulse phrases strophe in transit → baroque to rococo…
Technique pure rendition
Technique pure rendition
Parker follows Lester
Parker follows Lester
← the sax revolution → technical development in first-wave post-war arts ← → ornate interstices of random structurality determining poststructuralism.
Reference:
Disengagement: The Art of the Beat Generation (Rexroth)
Kahlil Crawford is a poet, essayist and theorist whose work delves into the avant-garde realms of art, music, and design, transcending traditional notions of rhythm to explore the concept of metarhythm. Drawing inspiration from the rich legacies of classic jazz and be-bop, Crawford's writing is deeply influenced by the pulsating energy of drum 'n bass and the futuristic soundscapes of Detroit techno, positioning his work at the intersection of existential thought and cultural innovation.
Latest posts by Kahlil Crawford (see all)
- Painless Passion - September 16, 2024
- CAOINEAG - June 10, 2024
- After Rexroth - August 7, 2023
