'Tis The Season, short story by Jim Latham at Spillwords.com

‘Tis The Season

written by: Jim Latham

@JimLatham15

 

“Does anybody here sell beer or do they just lock it up?”
The woman who asks me this has just hiked down the crooked road scraped through the rocky desert from Baja California’s Route 1 to Marcelino’s nameless bar built of driftwood logs and corrugated aluminum on a nameless beach. She asks this looking at dusty crates of one-liter beer bottles through gaps in the shipping-pallet walls of the bar’s storage room. A small daypack rests on the sand at her feet.
When I don’t answer right away she turns and looks at me. She’s wearing a white t-shirt and sun-faded jeans. In the shadowy light of the bar, her t-shirt glows against her brown skin. Her black hair falls to her shoulders and has a slight wave to it so that it curls inward slightly to frame her face like two parentheses.
I say, “Marcelino usually shows up a little after noon.”
“What time is it now?” The muscle of her bicep bunches when she raises her right hand and tucks a few strands of hair behind one ear and then the other.
“Late morning, I’d guess.”
She doesn’t say anything to this. Instead, she looks around the ramshackle bar. Other than the storage room and four plastic patio furniture chairs in various states of disrepair there isn’t anything besides a metal fifty-five-gallon drum with the top cut off. The drum is half-full of bottle caps.
When she brings her gaze back to me, I point with my chin and say, “If you want to sit down, that red chair there is probably the pick of the litter.”
She looks at me for a long moment then nods as if she’s made a decision. She grabs the red chair and plants it in the sand next to me so we’re both looking down the beach to the small, quiet waves breaking against the shoreline of the sheltered cove. There isn’t much to see besides rocks and cactus and saltwater. Beyond the cove, a low swell moves the sun-drenched waters of the Sea of Cortez.
I offer her my hand. “My name’s Jesse.”
“Marimar.” She flashes a crooked smile and we shake hands “How long have you been here?”
“About a week.” I watch as a seagull lands on a cactus growing on one of the low hills protecting the cove from the bigger water. It folds its wings and stands looking out to sea. I keep looking at it. It doesn’t move.
“What are you looking at?”
“A seagull just landed on top of that cactus there.”
Marimar watches the seagull for a moment. It doesn’t move. “Not quite a partridge in a pear tree, is it?”
I laugh. “No, it’s not. I grew up thinking the desert never touched the ocean. So now I just can’t get over seeing a seagull standing on a cactus.”
“Where’d you grow up?”
“Nowhere I’d like to go back to.”
Marimar shakes her head softly at some private thought.
I lean back in my chair and feel the plastic flex. “To be honest, the reason I’m here is to get away from Christmas.”

***

Marcelino arrives and offers us a distracted wave. He’s wearing sun-faded surf shorts, a sleeveless t-shirt, and a Los Angeles Dodgers baseball hat.
“Dos?” he asks.
Marimar nods so I say, “Sí, dos.” I walk across the shaded sand to the storage room.
Marcelino unlocks the door, reaches inside, and hands me two bottles. He closes and locks the door. I drop the heavy Mexican coins into his hand. He pockets the pesos, says, “Regreso más tarde,” and walks away, back up the dirt road.

***

There’s a bottle opener tied to a string nailed to the center post. I open the first beer and hand it to Marimar.
She watches me drop the cap into the drum. “What happens when it gets full?”
I look into the drum and wonder how many caps are in there. “I have no idea.”
Marimar takes a drink of beer and makes a face. “It’s not that good warm, is it?”
“It’s worse flat. You want to share this one before we open the next?”
She nods and passes me the bottle. I take a pull and sit down.
“One of the nice things about the desert back home,” Marimar says, “is that most of the time you can find cold beer.”
“What desert do you call home?”
“The Sonoran. I love the saguaros too much to leave them for long.”
“Well, if you ever want to visit the Mojave, there’s a preserve full of Joshua trees and sand dunes I could show you. I know a great camping spot at the base of an enormous sand dune surrounded by the biggest creosotes you’ll ever see.”
“That sounds wonderful.”
“It is. I sit around the campfire eating pistachios and watching the kangaroo rats creep around the edges of the firelight, watch the flames reflect off their silvery fur and black eyes.”
She holds out her hand and I pass her the beer. “So why are you spending Christmas here and not there?”
I think about it while she takes a drink. “I wanted to get further away from it all.”
“Why?”
“I wish Christmas was nice like it was supposed to be. But it’s not. It sucks.” She hands me the bottle. I twist it into the sand so it won’t spill.
Marimar says, “Christmas doesn’t have to suck.”
I look up. “No?”
“No.” She looks me in the eye. Her eyes are very dark brown, almost black. “I’ll prove it to you,” she says. “We’ll decorate a tree.”
“Decorate a tree?”
“Yeah.”
“What tree?”
She laughs. “There’s only one around here.”
The only tree on the beach is dead. It stands dry and skeletal just above the high-tide line, its bark long-since peeled away by blowing sand. The bare wood is cracked and faded under the desert sun. A single branch the length of my forearm juts out from the trunk about five feet off the ground.
I ask her, “You want to decorate that tree?”
She nods. “’Tis the season and all that.”
I take a deep breath and let it out. I can’t think of a reason not to. “Okay. Let’s do it.”
She smiles her crooked smile, and I can’t help smiling back at her.

***

We walk the beach gathering lengths of fishing line and fragments of net. We find a pair of fishing weights, three sun-bleached aluminum cans, and four or five mostly whole seashells before we retreat to the shade of the bar.
Marimar arranges the chairs we’re not sitting in into a makeshift workbench and sets to cleaning sand and grit from our meager treasures. I sit next to her and untangle the fishing line and shreds of net. She’s humming a tune I recognize but can’t quite place. I listen for a few moments and realize it’s a Christmas carol.
I reach for the beer and take a drink. There’s not much left, and what there is mostly flat. I tilt the bottle toward Marimar. She shakes her head. I finish the beer and stand. When I get back from setting the empty bottle by the storage room, Marimar is tying a piece of fishing line to a fragment of seashell. I sit and tie a big loop into one of the pieces of fishing net. Then I tie the other end around the pull tab on an aluminum can. The sun has faded the logo beyond recognition.
It’s not long before our collection of improvised ornaments is ready. I take hold of the hem of my shirt to make a pouch and Marimar loads the ornaments into it one by one.

***

Marimar hums a different Christmas carol as we make our way down to the tree. Silent Night. I hand her the ornaments one at a time and she hangs them from the tree’s lone branch or from stubs of branches that broke off years ago.
After everything is hung we step back several paces and look at the tree. Marimar tilts her head and frowns and rearranges a few of the ornaments.
“It looks good,” I say.
“Almost, but not quite,” she says. “We need popcorn.”
“What about bottle caps?”
Her smile lights up her face. “Perfect.”
Halfway back to the bar she reaches out and takes my hand.

***

Using a nail pulled from one of Marcelino’s driftwood posts and a rock scavenged from the side of the dirt road, I punch holes into a couple dozen bottle caps. Marimar strings them onto the last bits of fishing line two at a time, back to back. When she’s done, we hold hands and hum Deck the Halls as we walk down to the tree.
By the time she has the strands of bottle caps arranged to her liking, we’re humming Rudolf the Red-nosed Reindeer. The ornaments are swaying in a light breeze coming off the water.
Marimar says, “Can I ask you something?”
“Anything.”
“What do you want for Christmas?”
I look out over the hills to the sea beyond the hills. Even though it’s only late afternoon, a full moon is rising. I tell her, “To let somebody know me and have them stay once they do. I want that every day, not just on Christmas.”
She doesn’t say anything right away, and I wish I hadn’t been so honest. We watch the moon rise over the rocky hills for a minute or so then Marimar says, “That’s a lot.” After another long moment, she says, “But I don’t think it’s too much.”
I look at her then back at the water. “I hope not.”

***

Later, we walk hand in hand into the warm ocean. When the water is nearly to our waists, we lean forward and swim a short distance into the middle of the small cove then stop and float side by side, silent under the glittering sky, looking back toward the beach and the rocky, cactus-covered hillsides behind the bar.
The smooth wood of the naked tree shines like bone in the moonlight. The seashell and tin-can ornaments are dark shapes against the sand. The soft rattle of the bottle caps comes to us over the water, barely audible over the whisper of the surf. The tide is coming in, and small waves push us gently toward the shore.
I’m watching a satellite slide across the sky when Marimar points toward the beach. Drops of water falling from the tip of her finger shine in the moonlight. Very quietly, she says, “Look.”
An owl glides out of the desert, banks slightly, and perches on top of our Christmas tree. After a few moments, it shifts its feet and opens its wings. The owl stands on top of the cactus with its wings outstretched as if in benediction then launches itself into the air. After several wingbeats, the owl stills. It passes over us in a silent, majestic glide. We turn to watch its flight, but it’s gone, vanished into the night.
Marimar and I look back at each other. I open my mouth to say something, but she shakes her head and smiles her crooked smile. I smile back at her and turn to look at our Christmas tree, thinking that if two people can make beauty from trash, anything is possible.

 

NOTE FROM THE AUTHOR:

Thank you to the Martínez family for making the final revisions of this story possible…especially Anahi for letting me borrow her hair.

Jim Latham

Jim Latham

Jim Latham’s work has appeared in Rue Scribe, 50-Word Stories, Fleas on the Dog, Dezmin’s Archives, and Opium Magazine. Originally from northern California, he now lives in southern Mexico. His flash fiction chapbook, Noon in Florida, is available on Amazon.
Jim Latham

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This publication is part 62 of 70 in the series 12 Days of Christmas